Introduction to the 2015 Best Picture Nominees
The 87th Academy Awards, held in 2015, honored films released in 2014. The Best Picture lineup reflected a year of strong genre storytelling, intimate dramas, and renewed appetite for both studio and independent filmmaking. This overview presents each nominee, its creative team, key production details, and cultural or commercial context in a verifiable, high-information format. It is designed as an evergreen reference for understanding this year’s contenders and the path to the eventual winner.
What Is Best Picture: Purpose and Criteria
Best Picture is the Academy Award category that recognizes overall excellence in filmmaking, including direction, acting, writing, production design, editing, score, and sound. Since 2010, the category has featured a variable number of nominees, typically between five and ten, determined by preferential voting. This year, the nominees highlighted diverse genres and production scales, from broad comedies to rigorous historical dramas.
The 2015 Nominees: Overview and Profiles
In 2015, the Academy presented a notably diverse slate in genre and budget, though with less representation from certain regions and perspectives that later became central in industry conversations. The nominees spanned major studio tentpoles, mid-budget prestige fare, and intimate indies, with Birdman emerging as the unexpected frontrunner in both awards discourse and box office returns.
Birdman
Birdman, directed by Alejandro G. Iñárritu, was widely regarded as the year’s most inventive and formally ambitious film. Marketed as a feature that simulates a single unbroken take, it blended heightened theatricality with kinetic camerawork. The film’s screenplay, credited to Iñárritu and Nicolás Giacherone, explored themes of legacy, celebrity, and the tension between art and commerce. It led the major award circuits prior to the Oscars, securing wins at the Golden Globes, BAFTAs, and Critics’ Choice Awards.
The Grand Budapest Hotel
The Grand Budapest Hotel, Wes Anderson’s meticulously crafted comedy-drama, brought a distinctive visual palette and tightly structured storytelling to the field. With a screenplay by Anderson, the film traced the adventures of a legendary concierge and his lobby boy protégé across multiple timelines. Anderson’s symmetrical compositions and whimsical tone resonated with critics and awards voters, earning him the Academy Award for Best Original Screenplay and further cementing his artistic reputation.
How to Train Your Dragon 2
DreamWorks Animation’s How to Train Your Dragon 2 represented the family-friendly genre within the field, combining action, humor, and emotional stakes. Written by Dean DeBlois, the film expanded the world and relationships established in the first installment. Its inclusion among the nominees reflected recognition of animated filmmaking as a commercially and artistically significant medium worthy of top-tier competitive consideration.
Selma
Ava DuVernay’s Selma brought historical gravitas to the competition, dramatizing the 1965 voting rights marches in Selma, Alabama, and the leadership of Dr. Martin Luther King Jr. The film featured a prominent ensemble cast, including David Oyelowo, and foregrounded timely conversations about civil rights, representation, and activism. While it did not win Best Picture, its influence extended well beyond awards season, especially in cultural discourse and civic engagement.
The Theory of Everything
The Theory of Everything, directed by James Marsh, chronicled the early years of physicist Stephen Hawking and his relationship with Jane Wilde, played by Felicity Jones. The film integrated speculative visuals with biographical drama, balancing scientific abstraction with intimate human connection. Eddie Redmayne’s performance earned critical acclaim and ultimately the Academy Award for Best Actor, contributing to the film’s standing as one of the season’s most discussed biopics.
American Sniper
Clint Eastwood’s American Sniper brought a gritty, first-person perspective to the wartime biopic, centering on Navy SEAL Chris Kyle and the psychological costs of combat. The film was a substantial commercial success and ignited conversations about military service, heroism, and political controversy. While it underperformed with critics compared to peers, its cultural footprint was significant, and it earned six Academy Award nominations beyond Best Picture.
Big Hero 6
Big Hero 6, Walt Disney Animation Studios’ approachable blend of action, comedy, and heartfelt storytelling, marked a standout in the animated category. Directed by Don Hall and Chris Williams, the film emphasized themes of grief, resilience, and found family. Its win for Best Animated Feature underscored the strength of emotionally driven animation and its capacity to resonate across audiences and age groups.
The Imitation Game
The Imitation Game, directed by Morten Tyldum, presented a post–World War II narrative about Alan Turing, the mathematician and computer scientist pivotal to Allied codebreaking. The film synthesized biopic, thriller, and social drama, with Benedict Cumberbatch’s performance capturing Turing’s complexity and isolation. Like several other nominees, it balanced historical interest with mainstream accessibility, though its critical reception was more divided toward the dramatization of Turing’s life.
Still Alice
Still Alice, directed by Richard Glatzer and Wash Westmoreland, offered an intimate portrayal of early-onset Alzheimer’s disease, led by Julianne Moore in an Oscar-winning turn. The film foregrounded the subjective experience of cognitive decline, aligning with broader industry efforts to depict personal and familial challenges with greater authenticity. Its success within the awards circuit reflected a preference for character-driven narratives that prioritize emotional accuracy.
Whiplash
Whiplash, Damien Chazelle’s intense drama about ambition and mentorship in jazz music, exemplified the power of lean, driven storytelling. Starring Miles Teller and J.K. Simmons, the film navigated themes of artistic obsession, discipline, and abuse. While not initially favored to win Best Picture, its momentum grew through critics’ groups and awards season, culminating in multiple Academy Awards, including Best Supporting Actor for Simmons and Best Film Editing.
Notable Context and Reception
During awards season, Birdman, Selma, and The Grand Budapest Hotel frequently emerged as consensus favorites, while American Sniper and The Imitation Game generated debate over representation and narrative framing. Whiplash achieved significant critical momentum despite genre constraints, and its writing and editing successes influenced perceptions of craft categories. The overall field illustrated how the Academy balances prestige, popularity, and auteur-driven vision when allocating top honors.
Comparative Snapshot of 2014 Films in the 2015 Oscars
The following table outlines each Best Picture nominee, its genre, director, and key award signals from the 2014–2015 season. These indicators are drawn from critics’ groups and major ceremonies that preceded the Academy Awards.
| Film | Genre | Director | Key Awards Before Oscars | Box Office (approx.) |
|---|---|---|---|---|
| Birdman | Comedy-drama | Alejandro G. Iñárritu | Golden Globe Best Picture (Drama), BAFTA Best Film | $103M |
| The Grand Budapest Hotel | Comedy-drama | Wes Anderson | Golden Globe Best Musical or Comedy, BAFTA multiple | $174M |
| How to Train Your Dragon 2 | Animation/Action | Dean DeBlois | Annie nominations, strong critical reception | $621M |
| Selma | Historical drama | Ava DuVernay | Golden Globe nominations, widespread critical praise | $66M|
| The Theory of Everything | Biographical drama | James Marsh | Golden Globe Best Actor for Redmayne, strong critical response | $123M |
| American Sniper | Biographical war | Clint Eastwood | People’s Choice Award TIFF, major commercial success | $547M |
| Big Hero 6 | Animation/Action | Don Hall, Chris Williams | Annie nominations, critics’ groups awards | $657M |
| The Imitation Game | Biographical drama | Morten Tyldum | BAFTA multiple, Golden Globe nominations | $233M |
| Still Alice | Drama | Richard Glatzer, Wash Westmoreland | Special Jury Prize Sundance, Golden Globe Best Actress | $57M |
| Whiplash | Drama/Music | Damien Chazelle | Directing awards, Grand Jury Prize Sundance, Critics’ Choice | $49M |
Patterns and Legacy
The 2015 Best Picture field illustrates the Academy’s shifting priorities between commercial viability, critical acclaim, and formal innovation. Films like Birdman and Whiplash demonstrated that bold directorial voices and technical craft could prevail, while established franchises like How to Train Your Dragon 2 and Big Hero 6 signaled openness to animated storytelling in top categories. Selma and American Sniper reflected an appetite for politically resonant historical narratives, even as debates about representation continued. In retrospect, this year’s nominees serve as a useful benchmark for understanding evolving tastes in prestige cinema and the criteria the Academy applies when defining cinematic excellence.
Frequently Asked Questions
- How many nominees were there in 2015? There were 10 Best Picture nominees, reflecting the expanded format adopted in 2010.
- Which nominee had the highest box office? American Sniper led with approximately $547 million in global box office, followed by How to Train Your Dragon 2 and Big Hero 6.
- Did any nominee not receive a major nomination besides Best Picture? Several films, notably Selma and Whiplash, earned strong performances and craft nominations despite not being dominant in every category.
- How did the winner compare to critics’ favorites? Birdman was broadly favored by critics and awards groups, though the Academy’s choice signaled an appreciation for formal experimentation and ensemble execution.
Conclusion
The 2015 Academy Award Best Picture nominees remain a useful case study in how the Academy balances artistic risk, commercial success, and cultural relevance. By examining each film’s genre, creative leadership, and awards trajectory, viewers and researchers can better understand the dynamics of that year’s race and its lasting influence on perceptions of cinematic merit.