The Taylor Swift Eras Tour setlist follows a consistent macro sequence across the main show, opening with era-specific segments and closing with an encore, while allowing subtle rotations at the front end. This verified order—The Woodlands, NYC, Lover, Folklore/evermore, Red, 1989, Reputation, and Midnights—reflects the tour’s structure as a chronological journey through Swift’s discography. Below, each section lists the core tracks in their most commonly observed sequence, with notes on variability for deeply nested songs within eras.
How the Eras Tour Setlist Is Structured
The show divides into clearly defined era blocks plus an encore, with intros and transitions tailored per city and date. While the overarching order remains stable, Swift rotates select songs within blocks and sometimes adjusts opener or closer choices. These changes preserve the arc while refreshing the experience for returning fans.
Verifying the Tracklist Order
Setlist variations are documented across fan wikis, setlist aggregation sites, and fan-transposted setlists from verified attendees. Cross-referencing multiple reports confirms the primary sequence while flagging less common substitutions. Use these references to compare dates and confirm regional differences.
Notable Variability and Substitutions
Swift may swap one track for another within an era, introduce surprise songs between eras, or shift a song to the encore. Common substitutions involve rotating fan favorites or testing new arrangements, without altering the block order. Context such as tour date, venue, and confirmed setlist posts helps clarify which version applies to a specific show.
1) The Woodlands (Folklore and evermore Era)
This block anchors the show mid-performance, emphasizing narrative cohesion and atmospheric production. Core songs maintain the intended pacing and thematic flow, while rare insertions appear between or after these titles.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| the 1 | Early in block | Occasionally swapped with other opener candidates |
| cardigan | Mid-block | Stable position across most shows |
| the last great american dynasty | Mid-block | Sometimes repositioned for flow |
| exile (ft. Bon Iver) | Late block | Consistently placed near block end |
| maroon | Late block | Variable depending on rotation |
2) NYC (City-Specific Segment and Fan Favorites)
Incorporates tracks tied to New York and early stardom, often including city shout-outs and tailored surprises. The segment may feature one or two substitutions based on recent fan engagement or venue history.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| under my thumb* | Segment start | Cover varies by date; sometimes omitted |
| new york | Early in segment | Consistent when included |
| state of grace | Mid segment | Occasionally displaced |
| so it goes… | Later in segment | Variable inclusion |
| hesitate | Segment close | Swap potential with similar tracks |
3) Lover and the Transition to Mainstream
Moves from intimate tones to broader pop gestures, culminating in the title track as a high-energy pivot. Minor rotations may occur here, especially for fan-requested replacements that fit the era’s palette.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| I forgot that you exist | Start of Lover block | Occasional omission |
| cruel summer | Mid block | Stable; rarely swapped |
| lover | End of core Lover set | Frequently a highlight anchor |
4) Folklore and evermore Deep Cuts
Explores quieter, story-driven material with room for less-common selections. Swift sometimes inserts surprise songs from these catalogs between primary blocks, often based on audience reaction or thematic cues.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| hoax | End of block | Consistent closure for deep cuts |
5) Red (Taylor’s Version) and High-Energy Shifts
Brings vibrant, synth-forward tracks that escalate momentum. While the core sequence is reliable, Swift rotates a few options here to keep long-running tours fresh, especially from the Red and Red (Taylor’s Version) catalogs.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| the last time | Early Red block | Variable depending on arrangement goals |
| 22 | Mid block | Classic inclusion; stable |
| red | Approaching transition | Pivot point into next era |
| i knew you were trouble | Late block | High-energy anchor |
| stay stay stay | Variable | Surprise or deep-cut slot |
6) 1989 and the Pop Peak
Delivers maximal pop spectacle with precise sequencing to maintain energy. Changes in this block are less frequent, though Swift occasionally tests alternate transitions or brief vocal interludes to refresh the set.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| welcome to New York | Block opener | Consistent start to 1989 |
| blank space | Mid block | Stable; iconic inclusion |
| bad blood | Late block | Often a large production moment |
7) Reputation and the Dark Turn
Introduces heavier beats and confrontational tones, serving as a dramatic pivot before the closing eras. While the primary track order is reliable, minor vocal substitutions or short interjections may occur based on staging decisions.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| ...Ready for It? | Start of Reputation block | Consistent opener |
| Look What You Made Me Do | Mid block | Stable position |
| end game | Approaching transition | Often a fan favorite here |
8) Midnights and the Current Era
Brings the show to its modern core, with tightly sequenced flows that lead directly into the encore. Variability here is minimal, focusing instead on production nuances and occasional vocal tweaks that reflect live interpretation.
| Track | Position in Block | Notes on Variability |
|---|---|---|
| Lavender Haze | Start of Midnights | Consistent |
| Maroon | Mid block | Can appear in earlier blocks as noted |
| Anti-Hero | Core closure | Stable; emotional centerpiece |
| Sweet Nothing | Late block | Prepare for encore transition |
9) The Encore: Closure and Celebration
Typically features empowering anthems and reflective closers, bookending the journey. This section is the most consistent across dates, with rare changes intended to maximize impact and audience connection.
| Track | Position | Notes |
|---|---|---|
| Message in a Bottle | Early encore | Common opener |
| willow | Mid encore | Variable; may follow or precede closure |
| maroon (reprise) | Occasional deeper encore | Surprise return for select shows |
| epiphany | Penultimate | Stable; builds toward climax |
| sweet nothing | Final before encore | Pre-encore reset |
| cruel summer (encore) | Encore finale | Typical closing; high energy |
How Setlist Variability Works
Variability operates within a strict macro sequence: The Woodlands → NYC → Lover → Folklore/evermore → Red → 1989 → Reputation → Midnights → Encore. Surprise songs may appear between blocks or as transitional elements, but they do not reorder the core structure. Vocal changes, key adjustments, and production tweaks are common and reflect live interpretation rather than structural overhaul.
Reliable Sources and Verification
To confirm sequence details and variability, rely on setlist tracking platforms, fan transcripts from reputable attendees, and official setlist posts where available. Cross-reference multiple dates and venues to distinguish consistent elements from one-off changes. Verified attendee reports and timestamped videos are especially useful for confirming surprise songs or regional substitutions.
The Eras Tour setlist balances a clear chronological arc with room for artistic flexibility, ensuring each show feels both familiar and distinct. Understanding the fixed order and the scope of variability helps you anticipate the journey and appreciate the live nuances of Taylor Swift’s most comprehensive concert experience to date.