Music

Which Taylor Swift Albums Have Won Album of the Year

Taylor Swift has won Album of the Year at the Grammy Awards twice: for Fearless (Taylor’s Version) at the 63rd Grammy Awards (2021) and for Folklore at the 63rd Grammy Awards...

Mara Ellison
Which Taylor Swift Albums Have Won Album of the Year

Which Taylor Swift Albums Won Album of the Year

Taylor Swift has won Album of the Year at the Grammy Awards twice: for Fearless (Taylor’s Version) at the 63rd Grammy Awards (2021) and for Folklore at the 63rd Grammy Awards (recognizing 2020 releases). She has also been nominated for several other albums, including 1989, Reputation, and Midnights. Below is a concise overview of her wins, nominations, and how the Grammy voting process credits featured collaborators in tie and split decisions.

Album of the Year Winners for Taylor Swift

AlbumYear of GrammyEditionResultNotes
Folklore2021 (63rd)StandardWonMain credited artist; pandemic-era indie/alternative-leaning record
Fearless (Taylor’s Version)2021 (63rd)Re-recordingWonRe-recording of 2008 album; won on the same night as Folklore
19892016 (58th)StandardNominatedFirst album-era pop shift; lost to 1989 by Taylor was not a winner that year
Reputation2019 (61st)StandardNominatedDark synth-pop; lost to Album of the Year winner that ceremony
Midnights2024 (66th)StandardNominated2023 release; lost to Album of the Year winner that year

Understanding the Two Album of the Year Wins

At the 63rd Grammy Awards, the Recording Academy awarded Album of the Year to both Folklore and Fearless (Taylor’s Version) in a rare tie situation. The decision reflected two distinct versions of the same artist: the original 2020 indie-folk album and the 2021 re-recording of Swift’s second studio album. Under Grammy rules, when two recordings are judged to have equal creative merit, the award may be shared. This dual win underscored Swift’s songwriting consistency and the cultural resonance of both releases.

Folklore and Its Context

Folklore emerged during the early months of the pandemic and marked a deliberate pivot toward atmospheric indie rock and folk. It was written and recorded remotely with longtime collaborator Aaron Dessner. The win validated alternative pop songwriting within the Album of the Year category, a segment of the Grammy electorate historically dominated by pop and rock staples.

Fearless (Taylor’s Version) and Re-Recording Strategy

Fearless (Taylor’s Version) is part of Swift’s broader effort to reclaim ownership of her catalog by re-recording albums whose master recordings she does not own. The re-recording retains the core songwriting while refreshing production. Its victory illustrated that re-recordings can compete on artistic merit, not just legal or commercial strategy, and reinforced the Grammys’ acceptance of re-recorded albums in major categories.

Nominations Without Wins

Beyond the two wins, Swift has received Album of the Year nominations for 1989, Reputation, and Midnights. These nominations demonstrate sustained industry recognition across stylistic shifts, from synth-pop to narrative-driven indie and into synth-infused pop. A nomination alone can extend chart life and streaming velocity, even without a win.

The Recording Academy has detailed guidelines for determining the primary artist on an album when credits are split. If two artists are featured in a 50/50 split and the album wins, the win may be shared or granted to both artists equally under tie procedures. For wholly produced solo albums with no featured credits, the credited artist is the sole recipient. These rules clarify why some Swift albums win while others, despite strong sales and reviews, do not take the trophy.

Practical Takeaways for Fans and Industry Watchers

  • Wins vs. nominations: Album of the Year wins are rare; nominations still elevate streaming, retail, and legacy.
  • Re-recordings can win: Fearless (Taylor’s Version) demonstrates that re-recorded albums are eligible and competitive in major categories.
  • Genre flexibility: Swift’s wins span folk/indie and pop re-recordings, showing that the Grammys reward songwriting and coherence across styles.
  • Catalog strategy: Re-recording enables artists to influence how earlier work is preserved, marketed, and awarded.

What This Means for Swift’s Catalog Going Forward

Swift’s two Album of the Year wins anchor her legacy within a competitive field of singer-songwriters who prioritize narrative and production craft. As she continues to re-record her early albums and release new music, each album’s Grammy prospects will depend on eligibility, category competition, and the Recording Academy’s evolving tastes. Her pattern of nominations across eras suggests that future releases will remain in conversation for top honors, whether or not they convert to wins.

Summary of Key Wins at a Glance

AlbumGrammy YearCategoryResultEdition Type
Folklore2021Album of the YearWonNew studio album
Fearless (Taylor’s Version)2021Album of the YearWonRe-recording
19892016Album of the YearNominatedStandard
Reputation2019Album of the YearNominatedStandard
Midnights2024Album of the YearNominatedStandard

In short, Taylor Swift has earned two Album of the Year trophies for Folklore and Fearless (Taylor’s Version), with additional nominations highlighting her range. Wins and nominations alike shape how her catalog is archived, streamed, and perceived within the broader music landscape.

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